Excellent poetry, it could be argued, does not need to be complemented by art. This seems true in the case of ‘The Rime of the Ancient Mariner’, a poem by Samuel Taylor Coleridge about a mariner who unleashes a chain of misfortunes after killing an albatross. In a 2009 review of the poem published in the British newspaper The Guardian, Carol Rumens spoke of its hypnotic power: “The scenery remains thrillingly hellish, while laced with photographically realistic meteorological effects, and the narrative drive is irresistible.”
Why publish such a powerful poem with illustrations? It’s a reasonable question to ask, to which one could reply: WHY NOT, if the artist happens to be Gustave Doré (1832—1883)?